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Saint-Saëns Africa
Camille Saint-Saëns

Geoffrey Simon

Saint-Saëns Africa

Price: € 19.95 13.97
Format: CD
Label: Signum Classics
UPC: 0635212216224
Catnr: SIGCD 2162
Release date: 04 October 2019
old €19.95 new € 13.97
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19.95 13.97
old €19.95 new € 13.97
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Label
Signum Classics
UPC
0635212216224
Catalogue number
SIGCD 2162
Release date
04 October 2019
Album
Artist(s)
Composer(s)
EN

About the album

One of a pair of distinctive Saint-Saëns recordings, made with the London Philharmonic Orchestra. It features several rarely-recorded works, alongisde
the premiere recording of Saint-Saëns’s arrangement for tenor and orchestra of the iconic Danse macabre – which was origninally a song for voice and piano to a poem Henri Cazalis before it’s expansion into a celebrated tone poem.

Artist(s)

Geoffrey Simon (conductor)

Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. Internationally, he has appeared with the Adelaide, Atlanta, Bournemouth, Canberra, City of Birmingham, Fort Worth, Melbourne, Milwaukee, Queensland, Sapporo, Shanghai, St Louis, Sydney, Tasmanian, Vermont and West Australian Symphony Orchestras, the Israel, Moscow, Munich and New Japan Philharmonic Orchestras, the American Symphony, the Residentie Orchestra of The Hague, the Tokyo Metropolitan Symphony and the Australian Opera. His music directorships have included the Albany Symphony Orchestra (New York), the Australian Sinfonia (London), the Bloomington Symphony Orchestra (Indiana), the Orquestra Simfònica de Balears “Ciutat de Palma” (Majorca) and the...
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Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra.
Internationally, he has appeared with the Adelaide, Atlanta, Bournemouth, Canberra, City of Birmingham, Fort Worth, Melbourne, Milwaukee, Queensland, Sapporo, Shanghai, St Louis, Sydney, Tasmanian, Vermont and West Australian Symphony Orchestras, the Israel, Moscow, Munich and New Japan Philharmonic Orchestras, the American Symphony, the Residentie Orchestra of The Hague, the Tokyo Metropolitan Symphony and the Australian Opera.
His music directorships have included the Albany Symphony Orchestra (New York), the Australian Sinfonia (London), the Bloomington Symphony Orchestra (Indiana), the Orquestra Simfònica de Balears “Ciutat de Palma” (Majorca) and the Sacramento Symphony (California). With the Palma Orchestra he conducted Paul Patterson’s Te Deum for the King and Queen of Spain, and with the Sacramento Symphony he created the World View series of concerts, attracting audiences from twenty non-European cultures.
Geoffrey Simon is Music Director Emeritus of the Northwest Mahler Orchestra in Seattle, with which he has conducted the Mahler symphonic cycle and Messiaen’s Turangalîla Symphony. He has served as a jury member for Young Concert Artists, PianoTexas, Australian Cello Awards and Royal Over-Seas League.
Geoffrey Simon was a student of Herbert von Karajan, Rudolf Kempe, Hans Swarowsky and Igor Markevich, and a major prize-winner at the first John Player International Conductors’ Award. He has made forty six recordings for a number of labels, combining discoveries with familiar works by Tchaikovsky, Respighi, Borodin, Mussorgsky, Smetana, Bloch, Grainger, Debussy, Ravel, Saint-Saëns and Les Six. Amongst the contemporary composers he has recorded are Barry Conyngham, John Downey, Paul Patterson and Zhou Long.
For Cala Signum, Geoffrey Simon has brought together large ensembles of single instruments—violins, violas, cellos, double basses, horns, trumpets, trombones and harps—drawn from London’s leading solo, orchestral and chamber musicians. Known as The London Sound Series, the recordings have attracted interest amongst instrumentalists worldwide. Geoffrey Simon’s virtuoso 20-cello ensemble, The London Cello Orchestra, has performed for H.M. The Queen and H.R.H. The Duke of Edinburgh, and appeared in New York, Switzerland and South Korea.


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London Philharmonic Orchestra

The London Philharmonic Orchestra is one of the world's finest symphony orchestras, balancing a long and distinguished history with a reputation as one of the UK's most adventurous and forward-looking orchestras. As well as giving classical concerts and opera performances in the UK and internationally, we also record film and video game soundtracks, have our own record label, and reach thousands of people every year through activities for schools and our local communities. The London Philharmonic Orchestra was founded by Sir Thomas Beecham in 1932, and since then has been headed by many of the great names in the conducting world, including Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur. The Orchestra's current Principal Conductor is Vladimir...
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The London Philharmonic Orchestra is one of the world's finest symphony orchestras, balancing a long and distinguished history with a reputation as one of the UK's most adventurous and forward-looking orchestras.
As well as giving classical concerts and opera performances in the UK and internationally, we also record film and video game soundtracks, have our own record label, and reach thousands of people every year through activities for schools and our local communities.
The London Philharmonic Orchestra was founded by Sir Thomas Beecham in 1932, and since then has been headed by many of the great names in the conducting world, including Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur. The Orchestra's current Principal Conductor is Vladimir Jurowski, appointed in 2007. Andrés Orozco-Estrada became our Principal Guest Conductor in 2015.
The London Philharmonic Orchestra has been performing at Southbank Centre's Royal Festival Hall in London since it opened in 1951, becoming Resident Orchestra there in 1992. We also have flourishing residencies in Brighton and Eastbourne, and in summer we play for Glyndebourne Festival Opera where we have been Resident Symphony Orchestra since 1964. Touring abroad forms a major part of the Orchestra's schedule.

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James Campbell (clarinet)

Susan Milan (flute)

Composer(s)

Camille Saint-Saëns

Camille Saint-Saëns was a French composer, conductor, pianist and organist. He was a musical prodigy, writing his first pieces of music at the age of four and making his concert debut at the age of ten. During this concert he astonished the audience by playing one of the 32 piano sonatas of Beethoven at its request. After his studying at the Conservatory of Paris he followed a career as a church organist at Saint-Merri and later La Madeleine in Paris. He was also a successful freelance composer and pianist in France and abroad. Saint-Saëns initially helped to introduce German composers such as Robert Schumann and Richard Wagner in France. However, from 1870 onwards anti-German sentiments began to arise in France as...
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Camille Saint-Saëns was a French composer, conductor, pianist and organist. He was a musical prodigy, writing his first pieces of music at the age of four and making his concert debut at the age of ten. During this concert he astonished the audience by playing one of the 32 piano sonatas of Beethoven at its request. After his studying at the Conservatory of Paris he followed a career as a church organist at Saint-Merri and later La Madeleine in Paris. He was also a successful freelance composer and pianist in France and abroad.
Saint-Saëns initially helped to introduce German composers such as Robert Schumann and Richard Wagner in France. However, from 1870 onwards anti-German sentiments began to arise in France as a result of the Franco-Prussian War, which enhanced support for the idea of a pro-French musical society. In 1871 Saint-Saëns consequently founded the Société Nationale de Musique together with Romain Bussine, that was devoted to the promotion of French music and organised concerts on which young composers could perform their works.
Saint-Saëns was a keen traveler, and made 179 trips to 27 different countries during his life. He favoured Algeria and Egypt, were he gained inspiration for compositions such as the Suite Algérienne and the Fifth Piano Concerto, also known as The Egyptian.
Saint-Saëns' best-known works include the First Cello Concerto, Third Symphony, the opera Samson et Dalila, Danse Macabre and Le carnaval des animaux, a humorous suite in which various animals are musically portrayed. However, he never wanted the last work to be performed, since it was contrary to his image as a serious composer.
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Press

Play album Play album
01.
Africa – Fantasy for Piano and Orchestra, Op. 89
11:12
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
02.
Parysatis, Airs de ballet: I. Entrée
00:35
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
03.
Parysatis, Airs de ballet: II. No. 1
02:03
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
04.
Parysatis, Airs de ballet: III. No. 2
03:26
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
05.
Parysatis, Airs de ballet: IV. No. 3
01:57
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
06.
La jota aragonese, Op. 64
03:48
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
07.
Samson and Delilah, Op. 47: Grand Fantasy
13:39
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
08.
Tarantelle for Flute, Clarinet and Orchestra, Op. 6
05:40
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
09.
Sarabande et Rigaudon, Op. 93: I. Sarabande
05:34
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
10.
Sarabande et Rigaudon, Op. 93: II. Riguadon
03:09
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
11.
Danse macabre, Op. 40
02:54
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
12.
Suite algérienne, Op. 60: IV. Marche militaire française
04:25
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
13.
La muse et le poète, Op. 132
15:20
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
14.
Ascanio: Valse (Finale)
03:54
(Camille Saint-Saëns) Geoffrey Simon, James Campbell, Stephanie Chase, Susan Milan, Gwendolyn Mok, Anthony Roden, Robert Truman, London Philharmonic Orchestra
show all tracks

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